I’ve recently had the opportunity to watch more anime and it’s been good for the soul. It brings me back to simpler times in college when I had only $133 to my name but no real expenses to speak of after food. Hence, anime was the flaming garbage can I chose to dump a lot of my money into.
Over time that sort of lifestyle started to become increasingly unlivable. I mean, there was more and more money after I graduated (for reasons entirely unrelated to the diploma I received, I assure you). But the idea of spending three-quarters of my available funds on buying anime started to become more and more pathetic as I started making larger and larger amounts of money.
Not to mention the huge amount of debt (for reasons very much related to the diploma I received) I had to pay off every month.
But now anime is pretty much free to stream. (Cough, plug for Crunchyroll, cough.) So aside from that small cough, things are good here.
On the other hand, anime is a bit of an emergent property – a larger whole that isn’t obvious from its smaller pieces. Adorably stupid characters become infuriating after thirty episodes. Overpowered characters are obviously going to be the solution to any problem after you see them do just that for the tenth time. In short, you may want to think twice about binge-watching anime. Like cheese, what’s pleasant in small chunks might become essentially indigestible in large enough amounts.
Anyway, you know the drill by now. Bold first sentences. Supporting evidence. Let’s do this.
Relationships that never progress. Pretty much every series feels obligated to have a relationship these days. Even in cases where an ancient evil is on the verge of breaking out of its magical seal and bringing about the end of the world. I mean, we need to reach the top of the Mountain of Spirits in the next four hours or else fire will rain from the sky until the end of time, but you know…let’s have a filler episode where the girl takes the hero shopping and she’s not sure whether it’s a date or not.
I’ve made my peace with these, no matter how tacked on they feel. But you’d think there’d occasionally be some sort of resolution. Nope. For the most part, any time a couple seems to actually be progressing there’s some misunderstanding or a one-episode villain who steals a kiss or a fog that gets everyone drunk and they’re so embarrassed of confessing their true feelings that it sets them back again. And we’re stuck in a holding pattern until the main character’s undead ex-girlfriend dies all over again.
I actually started that paragraph speaking in a general sense, but by the end, I’m pretty sure I was just talking about “Inuyasha.” Wow. Through almost 200 episodes and four movies, the closest thing we got to romantic progress was a non-canon movie kiss.
Granted, depending on your interpretation of the ending, Inuyasha and Kagome eventually got married, but that was a pretty long walk for a thirty second payoff.
And speaking of not knowing how to resolve things…
Series that don’t know how to end. Maybe they knew how in the beginning. Maybe they had a good idea where they were headed. But by episode 800, it’s pretty clear that their actual intent is to wait until the Sun goes red giant and vaporizes the Earth, thus ending it all for them.
I don’t mind long series. In fact, I’ve rather enjoyed a number of series with an upwards of 26 or 52 episodes of very rewarding story. Both the “Fullmetal Alchemist” series were over 50 episodes. “Yu Yu Hakusho” was pretty great, too, and that was well north of 100.
“Case Closed,” on the other hand, is currently sitting around 832 and is as close to ending as it was fifteen minutes through the first episode. (The creator mentioned having an ending in mind, but that was in 2007 so I’d take it a grain of salt.) Even if it ended tomorrow it’s build itself up so far that no outcome could be worth the wait. It would be like your parents giving you nothing for Christmas for 17 years in a row. By that point you’d probably just give up on the whole mess or (more likely) assume you were Jewish.
Series with a perfectly good ending and then they just kept going. I get it. Money is a thing. And writers and artists tend to get more by continuing a series than they would by stopping and holding out their hands to random passersby on the street.
The classic example was “Dragon Ball Z.” Depending on who you ask, it was originally planned to end earlier or much, much earlier. As a result we slogged onto a few different planets, through a few more enemies who absorbed people to become stronger and what felt like seven or eight years of “Dragon Ball GT.” And say what you want about the material that followed, it’s always best for a series to end on its own terms on a high note than to be run into the ground.
A more recent example (specifically of the “running into the ground” variety) was “Bleach.” Despite having a perfectly good ending after our hero gave up his powers to defeat the enemy-turned-god-turned-butterfly-turned-god-again, they decided to head into another long training arc where he regained his power on the way to continuing his adventures. Only…he didn’t. Sure. I mean, he got his powers back, but with the sudden end of the series immediately after, it was a lot of run-up for a very short jump.
Or, maybe more accurately, a stumble directly onto its face.
Oh, and this crossed my mind while I was writing this, so consider it a bonus. It’s not technically a problem with anime itself. But it did come up an awful lot while I was trying to finish a few of the longer series that hadn’t finished getting dubbed yet.
Starting a series in one language, then switching to another. This isn’t a question of whether the original Japanese or English voice actors are better. Like the reddish stream running behind the local Pepsi bottling plant here, that’s an argument I just don’t feel like wading into at the moment.
(For me personally, it depends. Having a kid means it’s nice to watch subtitled anime when he’s around during the occasional flurry of f-bombs. And other times, well, if I wanted to read I’d get a book. Or, more likely, I’d get an audiobook so history’s most pleasant British people could read it to me.)
In any case, there’s something just fundamentally wrong with the characters switching voices in the middle of a series. Recently I tried watching “Cowboy Bebop” in the original Japanese. After listening to Steve Blum nail Spike Spiegel over the past twenty years, it’s weird to hear some other guy’s voice coming out of his mouth. It would be like your mom suddenly having a new voice when you woke up one morning. And also, she was speaking Dutch.
Unless she started out as Dutch and…well, you get my point.
Since I’ve been watching a lot more new anime as it comes out recently, I tend to watch more of it in Japanese first with English subtitles. And yes, it’s just as weird the other way. I tried watching some of it translated and it feels like everyone is talking in slow motion or something.
Also, people scream differently in English versus Japanese. You’d think being terrified would have the same sound no matter where in the world you were. Then again, you’d be just as surprised looking at one country’s list of animal sounds compared to another’s. What does the rooster say? Kikiriki? Like hell he does.
In the grand scheme of things I realize it’s a minor nitpick, but aren’t they all, really?